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Recent Posts

  • New Ceramics by Sakai Mika and Mara Des Bois Strawberries from Chino Farm May 26, 2023
  • Basket Weave Patterns: Kikko, Ajiro, and Mutsume March 27, 2023
  • Pop Up Craft, Stationery, and Clothing Show at The Den on Laurel Street Apr. 15th & 16th March 15, 2023
  • Gohonte -A Natural Pop of Color: New Ceramics by Inoue Shigeru March 2, 2023
  • POP UP CRAFT SHOW at the Den on Laurel Street Dec. 3rd & 4th November 23, 2022
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Top Posts & Pages

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    Visiting Vietnam: Traveling in the Land of my Pottery Crush
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    Oribe Coffee Pour Over Sets by Kuriya Masakatsu at Bay Park Coffee in San Diego
  • Guide to Choosing Your Tea Whisk for Matcha
    Guide to Choosing Your Tea Whisk for Matcha
  • Small Drinking Vessels and Refills: Please Let Me Pour More
    Small Drinking Vessels and Refills: Please Let Me Pour More
  • Buckets, Mini-Casks, and a New Coopering Video by Marshall Scheetz
    Buckets, Mini-Casks, and a New Coopering Video by Marshall Scheetz

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Press

 


Redfin Blog

Creative Ways to Put Your Scrap Wood to Use
January 2021

by Mike Cahill

 

Mingei International Museum

“The Humble Tea Whisk”
November 2020
Mingei interview with Ai Kanazawa, owner of online gallery and blog.

 

Boutique Japan

Instagram Live Q&A on Japanese Craft with Andres Zuleta
August 2020

Boutique Japan specializes in designing personalized travel to Japan. Visit their website->

 

Soy Source
Japanese language magazine in Seattle
October 2019

Coffee cups that you can purchase in Seattle

 

 

SD Voyager
March 15, 2018

Meet Ai Kanazawa of Entoten Bay Ho

 

 

Kyoto Journal Issue 89
Fall/Winter 2017 Page 89

Five Centuries of Perfection
Tea whisks by Tanimura Tango
by Ai Kanazawa Cheung

 

New England Home
September-October 2014 (as Studio KotoKoto)

East Meets Down East
Article by Robert Kiener
Influenced equally by her Japanese heritage and her love of Maine, Hanako Nakazato crafts pottery rooted in the past and inspired by the present.

Kinfolk Volume Eight

June 2013 (as Studio KotoKoto)

“Function and Form”
An Essay by Louisa Thomsen-Brits

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