Skip to main content
Entoten
FacebookInstagramPinterestYouTube

Menu

Skip to content
  • Blog
  • Shop
  • Artists
  • Places
  • Press
Sign In Search

Recent Posts

  • POP UP CRAFT SHOW at the Den on Laurel Street Dec. 3rd & 4th November 23, 2022
  • Frost Falls Approximately October 23th – November 6th October 23, 2022
  • Harmony with Food: Ceramics by Kojima Yosuke in Iga October 18, 2022
  • Cold Dew
    Approximately October 8th – 22nd
    October 8, 2022
  • Autumn Equinox
    Approximately September 23rd – October 7th
    September 21, 2022
February 2023
M T W T F S S
 12345
6789101112
13141516171819
20212223242526
2728  
« Nov    

Top Posts & Pages

  • Kintsugi: An Ancient Japanese Repairing Technique Using Urushi Lacquer
    Kintsugi: An Ancient Japanese Repairing Technique Using Urushi Lacquer
  • Guide to Choosing Your Tea Whisk for Matcha
    Guide to Choosing Your Tea Whisk for Matcha
  • Wood Artist Nakaya Yoshitaka: Chronicling the Lives of Trees in His Work
    Wood Artist Nakaya Yoshitaka: Chronicling the Lives of Trees in His Work
  • A Very Particular Focus: A Love Affair With Tokoname Kyusu by Yamada Yutaro
    A Very Particular Focus: A Love Affair With Tokoname Kyusu by Yamada Yutaro
  • Please Use Often: The Philosophy of Wood Artist Maeda Mitsuru
    Please Use Often: The Philosophy of Wood Artist Maeda Mitsuru

Categories

  • 72 Seasons Essays
  • Events, Workshops and Webinars
  • People
    • Naru (Inoue Naruhito)
    • Kojima Yosuke
    • Ayumi Horie
    • Bill Geisinger
    • Chieko (Calligraphy)
    • Floresta Fabrica
    • Hanako Nakazato
    • Harada Fumiko
    • Hashizume Reiko
    • Hashizume Yasuo
    • Horihata Ran
    • Hoshino Gen
    • Ikushima Harumi
    • Inoue Shigeru
    • Ishida Tami
    • Jarrod Dahl
    • Kazu Oba
    • Kenneth Pincus
    • Kikuchi Yuka
    • Kitamura Tokusai
    • Kobayashi Katsuhisa
    • Kubota Kenji
    • Kuriya Masakatsu
    • Maeda Mitsuru
    • Marshall Scheetz
    • Mike Martino
    • Mitch Iburg
    • Muranaka Yasuhiko
    • Nakaya Yoshitaka
    • Nitta Yoshiko
    • Ontayaki
    • Sakai Mika
    • Samuel Johnson
    • Sarah Nishiura
    • Saratetsu
    • Sasaki Shoko
    • Shumpei Yamaki
    • Style Of Japan
    • Takahashi Nami
    • Takami Yasuhiro
    • Tanimura Tango
    • Watanabe Ai
    • Yamada Yutaro
    • Yamauchi Takeshi
    • Yokotsuka Yutaka
  • Baskets
  • Ceramics
  • Design
  • Glass
  • Kintsugi
  • Metal
  • Textiles
  • Urushi
  • Wood
  • Mingei
  • Research
  • Food and Craft
  • Topics
  • Tea (Chado)
  • Travels
    • Arita
    • Bizen
    • Hagi
    • Karatsu
    • Kuroe
    • Kyoto
    • Matsumoto
    • Mino / Tajimi
    • Onta
    • Shigaraki
    • Shizuoka
    • Sonoma County
    • Tokoname
    • Vietnam

Tag: 青磁

Hoshino Gen: The Elemental Expression of Beauty

By:
Ai Kanazawa
September 23, 2014Ceramics Hoshino Gen

Celadon work by Hoshino Gen in our shop ->

The celadon work by Japanese potter Hoshino Gen offers distinct pleasures. Each piece is a masterful balance of movement and stillness, and presence and emptiness, and the effect is both powerful and meditative. The feeling is perhaps closest to what one may experience in a Japanese rock garden or karesansui.

Large square slip celadon plate by Hoshino Gen
Large square slip celadon plate by Hoshino Gen

When I came upon an image of his work on the Internet, it had a profound impact and I began to look for an opportunity to see Hoshino-san and his ceramics in person. When I found out that he was taking part in the Tajimi Creator’s Market during my spring visit to Japan, I made a long trek to Tajimi, which is near Nagoya in the middle of Japan. Hoshino-san was warm and soft-spoken, and his work was absolutely entrancing in person. I was very excited when he later agreed to work with us.

Japanese ceramic artist Hoshino Gen at his studio in Shiga, Japan
Japanese ceramic artist Hoshino Gen at his studio in Shiga, Japan
(Photo courtesy of Hoshino Gen)

Hoshino-san’s work expresses the beauty of slip, a watered down form of clay in its muddy state. In 2009, when he was adding the thickened slip from an old bucket to a new one, he noticed that the soft clay showed lines like water ripples and was excited by its beauty. “I became infatuated with slip and wanted to share its expression in my work”, he recalls.

It was also around that time that he decided to switch to functional ceramics instead of sculptures that he had been making for nearly a decade after graduating from Tajimi City Pottery Design and Technical Center or Ishoken. From Hoshino-san’s powerful and emotional work, it is clear that he still draws from his studies in sculpture as well as from his childhood exposure to the sculptural ceramic works of his well-known artist parents.

Slip expressions on the plates.
Simple and elegant. Hoshino-san’s work is suggestive of nature.

Hoshino-san creates work by pouring thick slip into a plaster mold. When the slip dries to the texture of mud, he uses various spatulas by hand to scoop out excess slip in swiping motions. The marks left in the slip becomes the decoration for the vessel.

“The slip shows a variety of expressions depending on the amount of water in the clay”, Hoshino-san observes. Slip is also affected by the humidity and the general condition of the plaster mold, so he adds sodium silicate or waterglass in the slip to carefully create the ideal texture.  He says that the slip allows him to understand the precise relationship between clay and water, and controlling its texture is the most difficult aspect of his work.

Hoshino-san preparing porcelain slip at his studio.
Hoshino-san preparing porcelain slip at his studio.
(Photo courtesy of Hoshino Gen)

The celadon glaze is also notoriously difficult to fire because the glaze only turns blue when there is sufficient thickness and fired to a high temperature in reduction. The thick coat of glaze can also drip or crawl easily. But the rare attraction of Hoshino-san’s work is enhanced by the choice of this glaze, which is traditionally associated with symmetric, pristine designs.  The effect of combining celadon with the irregular, asymmetric design of Hoshino-san’s vessels is stunning, conjuring sand dunes or ripples in shallow flowing water.

Spatulas and a hand-broom used for scooping to create the decorations on his work. Each spatula is of different hardness.
Spatulas and a hand-broom used for scooping to create the decorations of Hoshino-san’s work. Each spatula is of different hardness.
(Photo courtesy of Hoshino Gen)

Right now his crush on slip continues, but his fascination extends to dryer forms of clay. “I’m curious about the expressions of earth and rock”, he muses. “I create work by stopping these beautiful expressions in time by adding heat to them. I feel joy in creating objects that remind us of the grace that nature brings”.

Slip celadon oval plate by Hoshino Gen
Slip celadon oval plate by Hoshino Gen

Hoshino-san’s work is a combination of passion, mastery of various techniques, and a unique creative approach. He is active internationally and has worked as a guest artist at Tainan National University of the Arts in Taiwan and participated in art events abroad, most recently in Finland and Czech Republic. We are excited to watch how this talented potter continues his artistic journey.

  • Terms & Conditions
  • Privacy & Security
  • Contact Us
  • ✉️ Newsletter Archive
  • About
  • えんとてんJapan

Subscribe To Our Newsletter

Our Mailing Address is

Entoten LLC
c/o The Den on Laurel St.
205 Laurel St. Suite 104
San Diego CA 92101

E-mail: hello@entoten.com

Copyright © 2022 ENTOTEN LLC

Studio Kotokoto is now closed. Thank you for your support over the years!
You have been redirected to Entoten, an online blog and shop that was created by one of Studio Kotokoto’s founders.