Skip to main content
Entoten
FacebookInstagramPinterestYouTube

Menu

Skip to content
  • Blog
  • Shop
  • Artists
  • Places
  • Press
Sign In Search

Recent Posts

  • Eat, Sleep, Shave Wood: The Extraordinary Life of Woodworker Okubo Kotaro November 24, 2023
  • Hyakunin Isshu Karuta No. 23 by Chieko October 30, 2023
  • Four Tea bowls by Satoshi YOSHIKAWA: A Japanese Potter in Toronto October 20, 2023
  • Kikusumi: Chrysanthemum Charcoal by Kotani Yoshitaka August 19, 2023
  • The Saint John’s Pottery in Minnesota: An American Pottery Tradition August 1, 2023
December 2023
M T W T F S S
 123
45678910
11121314151617
18192021222324
25262728293031
« Nov    

Top Posts & Pages

  • Guide to Choosing Your Tea Whisk for Matcha
    Guide to Choosing Your Tea Whisk for Matcha
  • Kintsugi: An Ancient Japanese Repairing Technique Using Urushi Lacquer
    Kintsugi: An Ancient Japanese Repairing Technique Using Urushi Lacquer
  • Visiting Vietnam: Traveling in the Land of my Pottery Crush
    Visiting Vietnam: Traveling in the Land of my Pottery Crush
  • Transcending Time and Borders: Slipware by Japanese Potter Kubota Kenji
    Transcending Time and Borders: Slipware by Japanese Potter Kubota Kenji
  • The Flavor of the Earth: The Rustic Ceramics of Shigaraki
    The Flavor of the Earth: The Rustic Ceramics of Shigaraki

Categories

  • 72 Seasons Essays
  • Events, Workshops and Webinars
  • People
    • Ayumi HORIE
    • Bill GEISINGER
    • Chieko (Calligraphy)
    • Floresta Fabrica
    • Hanako NAKAZATO
    • HARADA Fumiko
    • HASHIZUME Reiko
    • HASHIZUME Yasuo
    • HORIHATA Ran
    • HOSHINO Gen
    • IKUSHIMA Harumi
    • INOUE Shigeru
    • ISHIDA Tami
    • Jarrod DAHL
    • Kazu OBA
    • Kenneth PINCUS
    • KIKUCHI Yuka
    • KITAMURA Tokusai
    • KOBAYASHI Katsuhisa
    • KOJIMA Yosuke
    • KOTANI Yoshitaka
    • KUBOTA Kenji
    • KURIYA Masakatsu
    • MAEDA Mitsuru
    • Marshall SCHEETZ
    • Mike MARTINO
    • Mitch IBURG
    • MURANAKA Yasuhiko
    • NAKAYA Yoshitaka
    • Naru (INOUE Naruhito)
    • NITTA Yoshiko
    • OKUBO Kotaro
    • Ontayaki
    • SAKAI Mika
    • Samuel JOHNSON
    • Sarah NISHIURA
    • Saratetsu
    • SASAKI Shoko
    • Satoshi YOSHIKAWA
    • Shumpei YAMAKI
    • Style Of Japan
    • TAKAHASHI Nami
    • TAKAMI Yasuhiro
    • TANIMURA Tango
    • WATANABE Ai
    • YAMADA Yutaro
    • YAMAUCHI Takeshi
    • YOKOTSUKA Yutaka
  • Baskets
  • Ceramics
  • Design
  • Glass
  • Kintsugi
  • Metal
  • Textiles
  • Urushi
  • Wood
  • Mingei
  • Research
  • Food and Craft
  • Topics
  • Tea (Chado)
  • Travels
    • Minnesota
    • Arita
    • Bizen
    • Hagi
    • Karatsu
    • Kuroe
    • Kyoto
    • Matsumoto
    • Mino / Tajimi
    • Onta
    • Shigaraki
    • Shizuoka
    • Sonoma County
    • Tokoname
    • Vietnam

Tag: sonoma

Mastering Simplicity: Ceramics by Bill Geisinger

By:
Ai Kanazawa
July 5, 2017Bill GEISINGER Ceramics

Wood-fired ceramics by Bill Geisinger in our shop ->

Ceramic works by Bill Geisinger are a poignant reminder of our love for simplicity, natural materials, and the personal connections that are all too often overlooked in this instant technology-driven world.

A simple vase made by Bill Geisinger with beautiful natural ash landscapes

Bill’s works are made using local clay that he dug up himself and fired using eucalyptus wood in his beautiful off-the-beaten track studio and kiln in Sabastopol, California. The fallen ash on the earthy surface of the clay creates exquisite natural landscapes that are surprising and mysteriously captivating.

Over 40 years ago when Bill was an aspiring painter and art student, he visited San Jose State University’s ceramics studio and became enthralled by the tactility of clay and its unique ability to connect with our lives. He went on to study under Professor James Lovera and Harry Nakamoto, who was his teaching assistant at that time. One day in class, Harry showed a film called “The Potters of Japan” by Richard and Marj Peeler. The sound and images reminded Bill of his days growing up in Japan in the early 1960s. “Maybe this was the beginning when I became a potter” Bill muses.

Potter Bill Geisinger’s rustic kiln and studio in Sabastopol California

So began Bill’s life-long love affair with clay that continues to the present day. Bill was hired to establish the clay department at De Anza College, which also played a big role in shaping his growth as an artist as he points out that “there was continual interaction to learn and grow from the many visiting artists and the students themselves.”

As an addition to his learning, Bill also regularly takes groups of people who are deeply interested in Japanese ceramics over to Japan to visit with local potters. In the past few years, I have traveled with the group as its interpreter and on each trip, we visit over 15 potters in various regions.

Bill discussing firing techniques with Japanese potter Kohara Yasuhiro in Shigaraki, Japan

Bill must have visited over a hundred Japanese potters by now, and I am amazed at how his love of the material and process continues to keep him curious and intensely interested in what others do. He says that he is most fascinated by how they work, generate ideas, and motivate themselves.

Bill aims to create work that is quiet, simple, useful, and that has a meaningful connection to nature. To me, it is notable that a potter like Bill who has seen so many alternative processes and techniques tested by others wants to create ‘simple’ work using traditional methods.

Bill introducing charcoal to his kiln at the last stage of firing. Charcoal increases the temperature and deprives oxygen, causing the clay surfaces to reduce. Bill says it is his way to add “touch” to his work, because reduction changes the texture and color

In a world where 3D printers can create complex and fascinating ceramic forms from your imagination, and kilns can be controlled to exacting temperatures with a computer, what is the significance of digging up clay and chopping wood to fire for 4 days in a self-built kiln? Simplicity is a concept that is seemingly easy to understand but remarkably difficult to practice these days.

Two small vases by Bill Geisinger that accidentally fused together during firing

Perhaps the significance lies in the fact that any vessel can hold water, but a quiet vessel made using natural materials and with attention to the process provides us with space and allows us to dream. Like the time when I looked at Bill’s vase and imagined how the ashes flew around in the hot kiln. Or another time when I felt inspired to put a flower bud in the vase and self-reflect, or invited friends and prepared some tea. Because even in this age where the Internet is always within reach, our most important connection to beauty is personal and emotional.

  • Terms & Conditions
  • Privacy & Security
  • Contact Us
  • ✉️ Newsletter Archive
  • About
  • えんとてんJapan

Subscribe To Our Newsletter

Our Mailing Address is

Entoten LLC
c/o The Den on Laurel St.
205 Laurel St. Suite 104
San Diego CA 92101

E-mail: hello@entoten.com

Copyright © 2023 ENTOTEN LLC

Studio Kotokoto is now closed. Thank you for your support over the years!
You have been redirected to Entoten, an online blog and shop that was created by one of Studio Kotokoto’s founders.