Skip to main content
Entoten
FacebookInstagramPinterestYouTube

Menu

Skip to content
  • Blog
  • Shop
  • Artists
  • Places
  • Press
Sign In Search

Recent Posts

  • Eat, Sleep, Shave Wood: The Extraordinary Life of Woodworker Okubo Kotaro November 24, 2023
  • Hyakunin Isshu Karuta No. 23 by Chieko October 30, 2023
  • Four Tea bowls by Satoshi YOSHIKAWA: A Japanese Potter in Toronto October 20, 2023
  • Kikusumi: Chrysanthemum Charcoal by Kotani Yoshitaka August 19, 2023
  • The Saint John’s Pottery in Minnesota: An American Pottery Tradition August 1, 2023
December 2023
M T W T F S S
 123
45678910
11121314151617
18192021222324
25262728293031
« Nov    

Top Posts & Pages

  • Guide to Choosing Your Tea Whisk for Matcha
    Guide to Choosing Your Tea Whisk for Matcha
  • Eat, Sleep, Shave Wood: The Extraordinary Life of Woodworker Okubo Kotaro
    Eat, Sleep, Shave Wood: The Extraordinary Life of Woodworker Okubo Kotaro
  • Kintsugi: An Ancient Japanese Repairing Technique Using Urushi Lacquer
    Kintsugi: An Ancient Japanese Repairing Technique Using Urushi Lacquer
  • Visiting Vietnam: Traveling in the Land of my Pottery Crush
    Visiting Vietnam: Traveling in the Land of my Pottery Crush
  • The Saint John’s Pottery in Minnesota: An American Pottery Tradition
    The Saint John’s Pottery in Minnesota: An American Pottery Tradition

Categories

  • 72 Seasons Essays
  • Events, Workshops and Webinars
  • People
    • Ayumi HORIE
    • Bill GEISINGER
    • Chieko (Calligraphy)
    • Floresta Fabrica
    • Hanako NAKAZATO
    • HARADA Fumiko
    • HASHIZUME Reiko
    • HASHIZUME Yasuo
    • HORIHATA Ran
    • HOSHINO Gen
    • IKUSHIMA Harumi
    • INOUE Shigeru
    • ISHIDA Tami
    • Jarrod DAHL
    • Kazu OBA
    • Kenneth PINCUS
    • KIKUCHI Yuka
    • KITAMURA Tokusai
    • KOBAYASHI Katsuhisa
    • KOJIMA Yosuke
    • KOTANI Yoshitaka
    • KUBOTA Kenji
    • KURIYA Masakatsu
    • MAEDA Mitsuru
    • Marshall SCHEETZ
    • Mike MARTINO
    • Mitch IBURG
    • MURANAKA Yasuhiko
    • NAKAYA Yoshitaka
    • Naru (INOUE Naruhito)
    • NITTA Yoshiko
    • OKUBO Kotaro
    • Ontayaki
    • SAKAI Mika
    • Samuel JOHNSON
    • Sarah NISHIURA
    • Saratetsu
    • SASAKI Shoko
    • Satoshi YOSHIKAWA
    • Shumpei YAMAKI
    • Style Of Japan
    • TAKAHASHI Nami
    • TAKAMI Yasuhiro
    • TANIMURA Tango
    • WATANABE Ai
    • YAMADA Yutaro
    • YAMAUCHI Takeshi
    • YOKOTSUKA Yutaka
  • Baskets
  • Ceramics
  • Design
  • Glass
  • Kintsugi
  • Metal
  • Textiles
  • Urushi
  • Wood
  • Mingei
  • Research
  • Food and Craft
  • Topics
  • Tea (Chado)
  • Travels
    • Minnesota
    • Arita
    • Bizen
    • Hagi
    • Karatsu
    • Kuroe
    • Kyoto
    • Matsumoto
    • Mino / Tajimi
    • Onta
    • Shigaraki
    • Shizuoka
    • Sonoma County
    • Tokoname
    • Vietnam

Tag: Nakazato Takashi

Kazu Oba’s Life on the Artistic Rim

By:
Ai Kanazawa
February 24, 2017Ceramics Kazu OBA

Ceramics by Kazu Oba in our shop ->

Maybe it is because he lives life on the edge, but Kazu Oba has a thing about rims. This potter-cum-sculptor-cum-dancer-cum-cook-cum-guerilla pot thrower confesses that the most difficult aspect of creating pots is the making of their rims. Indeed, the exquisite and alluring rims are the hallmarks of this potter’s vessels.

Spouted bowl
A spouted bowl by Kazu Oba has an exquisite rim and mouth.

Kazu’s life on the razor’s edge began when he was just 17 years old when the lifelong Kobe resident was inspired to travel on his own and live in the U.S. after watching the American movie “Grease”.

An aspiring artist, Kazu studied at the University of Colorado at Boulder and had the opportunity to apprentice under Jerry Wingren, a sculptor in wood and stone who is based in Boulder.

Another key influence for Kazu has been his nearly 15 years working as a restaurant cook to support his livelihood as a student and apprentice. Kazu started paying attention to the vessels on which the food was served while working, and that was why he decided to became a potter.

Kazu Oba
Ceramic artist Kazu Oba working at his studio in Colorado (Photo courtesy of Kazu Oba)

After completing his apprenticeship with Jerry, Kazu traveled back to Japan to study under Nakazato Takashi, the master potter from Karatsu, Japan, whom he had met at the Anderson Ranch Arts Center in Colorado. Kazu returned to Colorado in 2004 and eventually started his own studio creating ceramics and sculptures.

To ensure that he retains his creative edginess, Kazu occasionally takes his craft to the street as a ‘guerrilla pot thrower’ and makes pots on a portable kick wheel. The primary purpose of Kazu’s street pot theater is to advertise for his solo shows, which has taken place in numerous cities. “I want to show people how I make pots and, also get out of my comfort zone to test myself,” Kazu says.

guerrilla
Kazu Oba ‘guerrilla pot throwing’ on Kyoto’s popular Hanamikoji street. (Photo courtesy of Kazu Oba)

While Kazu is a bold adventurer, his artistic creations appear quiet and modest at first glance. But as soon as they are used, you will quickly recognize that they are carefully crafted to enhance the food that is placed in them.  His pots are modern and clean, with beguiling rims. “I think all the world of lips”, Kazu explains.

Sushi
Kazu uses a variety of clay and glazes so that the table has a mixture of colors and textures.

As a cook, Kazu makes wares that he wants to use on his dining table, and so he ponders most about his work when he eats. For example, he uses a variety of clay and glazes so that the table has a mixture of colors and textures instead of looking all dark or light. Whether it is the sharp attention to the textures of colors that becomes background to food, or perfectly executed rims that frame it, this unique perspective of an experienced cook makes Kazu’s work truly exceptional.

Kobachi
Small salads served on funagata side dishes by Kazu Oba

When I look at Kazu’s work, I cannot stop thinking about the things I will eat out of them. It maybe vivid green blanched vegetables on dark clay, or some bright coulis for that meat on porcelain. I am sure that the cook inside you will be intrigued too.

Visiting Hanako Nakazato in Karatsu

By:
Ai Kanazawa
August 28, 2013Ceramics Karatsu Hanako NAKAZATO Travels

Ceramics by Hanako Nakazato in our shop ->

Japanese potter Hanako Nakazato is a tour de force of creativity and productivity. I had the privilege of glimpsing this at first hand when I visited her Japanese studio far away in Karatsu, Saga Prefecture in Kyushu this past spring. It took a long train ride to get there, but was a journey to savor and understand how a potter’s life requires not only talent but discipline, hard work, and –in Hanako’s case- a love of food and cooking.

Hanako Nakazato
Japanese potter Hanako Nakazato at her studio in Karatsu, Spring 2013

Following an early morning start in Kyoto and several changes on the way, the train finally pulled into JR Karatsu station shortly after lunch. After the long ride, I was delighted to be met by the familiar face of photographer-cum-writer Prairie Stuart-Wolff, Hanako’s partner and business manager for monohanako. The two travel between Maine and Kyushu every year.

monohanako studio
Overlooking Hanako Nakazato’s studio in Karatsu

Hanako’s studio in Karatsu stands on a lush green hillside in Mirukashi, about two miles from the train station. When I arrived at the studio, Hanako was working at her wheel making bowls. She got up to greet me, beaming with a friendly smile and gestured a “hug” from a few feet away saying “I have clay all over me”. I did not want to interrupt her work and at my request she went back on the wheel. I watched for a while as she whipped out bowl after bowl, amazed at how similar they are in shape and size, even though she never measured them.

Works
Work by Hanako Nakazato displayed in her showroom in Karatsu.

As Hanako worked, I looked around the clean and spacious studio that was divided into three sections. There was a showroom for guests to view and purchase her work. A second section was the kiln and glazing room where bisque and glazed pieces are stored next to the gas kiln. The last section was the wheel room where she was busy throwing her pottery.

Full Kiln
Hanako’s gas kiln filled to the brim with bisque fired pots

The sliding door to the wheel room had a large blackboard that was covered with diagrams, numbers, and glaze types. Hanako carefully keeps track of the progress in the production of her wares by charting them on this board. Its an ingenious way of visually managing the production schedule that enables this prolific potter to put together a solo show almost every month during her stay in Japan. I even managed to visit her annual solo show at Manyodo in Ginza, Tokyo in May.

Blackboard
Production schedule charted on the blackboard

Watching Hanako work on the wheel was meditative. When I commented that it must be enjoyable to be able to throw with such rhythmic flow, Hanako laughed and replied that, “People might think that it must be fun to become a potter and throw pots on the wheel, but this is not the whole story”.

She explained that less than 20 percent of her day is spent on the wheel and that the rest of her workday is spent cleaning the studio and work equipment, loading and unloading the kiln, mixing and testing glazes, and preparing the clay. Hanako said that a three-year apprenticeship under her father and internationally famous potter, Nakazato Takashi of Ryutagama Kiln, had instilled into her the important habit of waking up early everyday to work, clean, and carry out other chores. Maintaining this discipline was indispensable to the running of a successful pottery studio.

Wedging clay
Hanako wedging clay. Much of a potter’s day is spent doing chores like cleaning the studio and preparing clay

Long and narrow boards on the racks in the studio were loaded with pots that were drying. These boards are easily over 5 feet long and they appear almost impossible to carry without dropping the pieces on top. Hanako said that it was just like the balancing pole that tightrope performers use to help them balance. She noted that, “the longer the board, the easier it is to balance on the shoulder with one hand”.

Muro
Bowls on a long drying board are placed into a pottery closet or muro. Freshly thrown pots are dried slowly in here to prevent them from warping and cracking.

On days when Hanako can work uninterrupted on her wheel, she can throw over a hundred pots in a day. On my visit, Hanako had to answer many phone calls, tend to visitors such as myself, and send a pugmill to repair. She finally wrapped up her work at 5 p.m. after throwing numerous bowls.

kitchen
Hanako cooking dinner at her home above her studio in Karatsu

In the evening, Hanako and Prairie cooked a delicious 7-course meal using Karatsu’s seasonal ingredients, each served on monohanako tableware. They put great care into preparing each dish and it was clear that they enjoyed cooking. As the famous Japanese ceramist and gourmet Rosanjin once said, “tableware for cooking is the equivalent of clothing for people.” He meant that the vessels that the food is served on is as important as the clothes that people wear and that people that are interested in food are inevitably interested in the wares they are served on. Consequently, many potters –of which Hanako is definitely a prime example- are excellent cooks and it was a real treat to be a guest at their dinner table.

Shio Uni
Salted sea urchin served on monohanako ware

Early next morning, Hanako was back in her studio finishing up the plates that she had thrown in the past few days on the wheel. She said she was in full work mode, firing work for shows that will be taking place after she was to depart for Maine in a few weeks time. I told her that her many fans in the U.S. were eagerly waiting her return. As we spoke, I realized that I was associating Hanako’s return with the changing of the seasons, just like a birder in anticipation of the annual migration.

Cut petal plate
Hanako finishing the edges of cut petal plates

Hanako worked until the late morning, and then we all left for a quick tour of Karatsu and lunch before I caught the bus to Hakata in the afternoon to start my long trek back to Tokyo. I was very pleased that I got to see a day in the life of this hard working potter, who is a rising star of the pottery scene in Japan and the U.S. While I discovered that being a potter might not be as idyllic and glamorous as it might appear, I am grateful that Hanako chose it as her profession. Her creativity has certainly brought style and beauty into our daily lives through the wares that we use to nourish our body and soul.

 

 

  • Terms & Conditions
  • Privacy & Security
  • Contact Us
  • ✉️ Newsletter Archive
  • About
  • えんとてんJapan

Subscribe To Our Newsletter

Our Mailing Address is

Entoten LLC
c/o The Den on Laurel St.
205 Laurel St. Suite 104
San Diego CA 92101

E-mail: hello@entoten.com

Copyright © 2023 ENTOTEN LLC

Studio Kotokoto is now closed. Thank you for your support over the years!
You have been redirected to Entoten, an online blog and shop that was created by one of Studio Kotokoto’s founders.