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  • Japanese Tea Omakase Tasting and Music Pairing with Uyo Okabe June 15, 2026
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Category: Food and Craft

Born to Cook: Chef OZASA “Masa” Masayoshi of Kyoto’s Matsusho Restaurant in San Diego

By:
Ai Kanazawa
September 24, 2024Events, Workshops and Webinars Kyoto Research Food and Craft OZASA Masayoshi (Chef)

For Ozasa “Masa” Masayoshi, a perfect day is to wake up and cook until bedtime -and then dream about it. Masa is the head chef and fourth generation heir of Matsusho restaurant in Kyoto, which specializes in Kyoryori (Kyoto cuisine) focusing on fresh local vegetables. With a history of more than 1200 years, Kyoryori is at the pinnacle of Washoku (Japanese cuisine). Washoku was designated as an UNESCO world heritage intangible cultural asset in 2013.

I first met Masa in San Diego in the fall of 2023 when he came to prepare for an event to introduce Kyoryori at the Japanese Friendship Garden and Museum in Balboa Park.

“I think about cooking all the time,” Masa smiled enthusiastically. “My grandfather used to say, a chef’s worth is only determined by how much he cooks.” Masa’s pure enthusiasm for cooking and feeding people seems to make everyone he meets feel happy and nourished.

Chef Ozasa Masa of Matsusho Kyoto

After the successful event at the Friendship Garden in January 2024, Masa wanted to return to San Diego this summer, so I agreed to host him to conduct workshops featuring vessels made by artists for Entoten in August.

This time, he arrived with a heavy rectangular pan for making dashimaki, a Kyoto-style rolled omelet that is a signature dish of Matsusho’s. The large pan took up half a suitcase, but he was eager to make dashimaki for the people of California. “Many customers in Kyoto have their favorite dashimaki, and restaurants with their roots in catering take pride in their own recipes,” Masa said. “The dashimaki I make is imbued with the spirit of our restaurant’s 90-year history, and our customers come to taste it with that in mind.”

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Masa’s restaurant, Matsusho, started in 1936 as a catering service in central Kyoto, and in 1980 opened a restaurant in Kameoka, in the agriculturally rich Kyo-Tamba region. The restaurant also offers shidashi (catering) services that includes delivering food packed in boxes (bento), food on tableware that is later collected, or by going in-person to a client’s home or venue to cook, serve, and clean up.

Matsusho Restaurant in Kameoka, Kyoto. The sign reads “Kyoryori, sushi, shidashi”

Shidashi business flourished during the Edo period (1603-1868) to feed the busy merchants of Kyoto’s traditional industries, their customers, and employees. Even today, if you’ve been lucky enough to have been invited to eat in someone’s home in Kyoto, it is likely that your host ordered shidashi-catered food. Kyoto people consider this arrangement more comfortable and relaxing for the host and their guests because both parties feel less pressure and obligations.

Cultivated in this age-old tradition of Kyoto’s unique hospitality, what sets Masa apart from other chefs is a deep sense of humility and ample patience to listen to and respond to the needs of the people that he serves. He is skilled at answering questions and sharing his expert knowledge -with a sense of humor- that is helped by his experience as a teacher at the Culinary Academy in Kyoto.

Some of the questions that he was asked most often during his time in San Diego were:-

How long have you been cooking?
23 years.

How do you make dashi?
By simmering kombu kelp for an hour in the morning that has been soaked overnight, and adding katsuobushi bonito shavings at the end. We use ma-kombu kelp from Southern Hokkaido’s Osappe and Kakkumi area, and katsuobushi bonito shavings, that includes the bloodline of the fish, from Kagoshima’s Makurazaki.

Which roll is the most difficult in making the dashimaki?
The last roll is the most difficult, but the first roll is the most important.

How sharp is your knife?
So sharp that the fish doesn’t realize that it’s been sliced.

If you didn’t become a chef, what other career would you have chosen?
To be a teacher or an MLB baseball player (he took one day off during his stay in California to watch a Dodgers game).

Aside from the kelp and katsuobushi that are used for the all-important and delicious Matsusho dashi stock, locally grown California ingredients were at the center of Masa’s cooking. I enjoyed taking him to meet Tom Chino of legendary Chino Farm, made famous by Alice Waters of Chez Panisse who started the New American Cuisine movement back in 1971.

Visiting Tom Chino of Chino Farm in Rancho Santa Fe

Another great destination was Tuna Harbor Dockside Market where locals can directly purchase the fresh catch off the local fishing boats every weekend. Masa observed that, “San Diego has delicious uni (sea urchin) and this uni eats good kelp. There must be good kelp here that can be used for dashi too, but no one is harvesting or processing this kelp.”

With our events that spanned 12 days, more than 140 people got to taste Masa’s cooking. He also connected with local chefs, carried out chanoyu kaiseki workshops, organized a tea pairing event with PARU, volunteered for a food education class for American children with Table for Two at the Friendship Garden, and also traveled to Los Angeles to teach a cooking class at TOIRO, in Hollywood.

Ozasa Masa Kawaii bento food education event with Table for Two at the Japanese Friendship Garden and Museum in San Diego

Sustainability is frequently talked about these days, and there is something that we can learn from the culinary attitudes and techniques found in an ancient capital that has survived for over a millennium. Kyoryori is a technique to cook with elegance and restraint, keeping the sources and preparation of ingredients honest, simple, and seasonal. “Kyoryori should never be a parade of luxury ingredients,” Masa explained, and the cuisine does not participate in the competition of decadence and indulgence.

In retrospect, what impressed me the most about Masa was a sense of joy that he radiated to the people around him through his cooking. He spent mornings harvesting fig leaves from a friend’s tree to use in the menu that evening. He woke up at the crack of dawn to arrive early at the fish market to get the first choice picks. He snuck into the kitchen in the middle of the night to make desserts for the tea students. He carefully sliced carrots to make beautiful curls for garnish.

Perhaps if we really open up our senses and cook thoughtfully like Masa, we can better connect to the world around us and what it has to offer. If you are ever in Kyoto, I urge you to make the side trip to Kameoka, meet Masa, and enjoy his food and hospitality

Chef Ozasa Masa at the Den on Laurel Street, San Diego

More photos taken mostly by our friend Tomoko Matsubayashi. Enjoy!

The dashimaki pan
Masa’s knives
Masa uses Sakai Ichimonji Mitsuhide brand knives from Osaka
Rockfish yuanyaki for tea kaiseki hakeme bowl by Kazu Oba
Sweets for thin tea kaiseki on glass plate by Naru
Kohaku-to sweets Masa made for the tea students
Matsusho’s dashimaki recipe contains about 42% dashi and is difficult to roll for amateurs
(I tried and it became a scrambled egg).
Dashimaki omelet making is a rapid, professional process that takes a mere 2-3 minutes per roll.
Peeled carrots for making carrot curls
Inspecting the Catch at Tuna Harbor Dockside Market
Vermillion Rockfish
“A river at the foot of the mountain” food arrangement. Protein doesn’t have to always come in the front in Japanese food -Iga bowls by Kojima Yosuke
Nagaimo -Chinese yam- tofu. Kaguya glass bowls by Naru
Deep Fried Tofu with Lotus Root -Hirousu Sesame Dofu, Simmered Carrot Haricot Vert Shredded Ginger
Urushi bowl by Tsutsumi Takuya
Chef William Eick from Matsu Restaurant in Oceanside adding carrot curl garnish
Celadon Plate by Hoshino Gen
Iga Bowl by Kojima Yosuke
Appetizers on Kojima Yosuke Platter
Izumiyama Porcelain Bowls by Mike Martino
Donabe-Cooked Rice White Bait -Shirasu Umeboshi Sour Plum
Kumquat and Spring Onion Teppoae
Ekaratsu by Mike Martino
Salmon -Yuanyaki Vinegared Lotus Root Kumquat and Spring Onion Teppo-ae. Sometsuke plate by Iwanaga Hiroshi
Figs
Beef wrapped in fig leaf with fig paste

 

Beef wrapped in fig leaves
Vessels by Kojima Yosuke
Vessels by Hoshino Gen, Iwanaga Hiroshi Kazu Oba, Kojima Yosuke, Mike Martino, Naru, and Tsutsumi Takuya
Donabe for cooking rice
Donabe Rice Cooker at TOIRO Kitchen, Hollywood. Donabe are indispensable for Japanese chefs
Masa with author and donabe cooking expert Naoko Takei Moore and TOIRO kitchen donabe shop team

Kajo Day: Wagashi Celebration in June

By:
Ai Kanazawa
June 10, 2023Food and Craft Mitch IBURG

Did you know that June 16th is Wagashi Day? Wagashi means Japanese sweets, with ‘wa’ meaning Japanese and ‘k(g)ashi’ meaning confections.

Kajyo Day display with anmochi and tea bowl by Mitch Iburg (2014)

The origins of Wagashi Day are unclear, but according to multiple Japanese sources, its history began in the Kasho (aka Kajo 848-851) era in the mid-Heian period. It is said that the sitting Emperor, Ninmyo, was faced with a disease outbreak, and in hope for a swift end to the suffering, he made offerings of 16 sweets to the gods on the 16th day of the 6th month.

This became Kajo day, a day of offering and eating wagashi. The tradition continued and peaked during the Edo period when sweets, previously only available to the ruling class, became accessible to ordinary people. The custom unfortunately died out in the political and social turmoil of the early Meiji (1868-1912) period, until it was revived by the Japan Wagashi Association in 1979.

When I first discovered Wagashi Day, I was disappointed because as a child I favored savory snacks to sweets. Since June 16th also happened to be my birthday, I would have preferred a soy-sauce-on-rice-cracker-wrapped-in-seaweed day. In fact, I avoided wagashi for most of my life because I was averse to the smell of anko, the red bean paste that is central to these confections.

My appreciation for red bean paste only developed in the last decade after I started learning chado, the Japanese Way of Tea. I was served wagashi at practice every week before having a bowl of matcha, and I was too diffident to say that I didn’t like anko to my teacher. In the beginning, I quickly swallowed the wagashi so that I tasted them as little as possible. But soon, I got used to the scent of anko, and realized that the bean paste noticeably brought out the flavor and aroma of the powdered green tea that followed. So if you have tasted red bean paste before and thought it wasn’t for you, I am proof that you can still acquire the taste for anko.

The Art of Wagashi by Kimiko Gunji, with a photo of wagashi depicting hydrangea on the front cover.

These days I look forward to wagashi at tea practice, many of which are created to convey the seasons. Wagashi depicting a hydrangea is popular through the month of June. You can also read more about seasonal wagashi on the Tokyo Wagashi Association website.

Matcha in a tea bowl by Mitch Iburg, 2023

To celebrate Kajo Day this year, I made the most basic, but one of my favorite, ‘anmochi‘, which is a ball of red bean paste wrapped in sweet mochi. I followed the recipe from the book, “The Art of Wagashi”, by Professor Kimiko Gunji of Japan House at the University of Illinois. I have tried a few recipes from this book, and they were very easy to follow. It is also very helpful that the listed ingredients are available in the supermarkets here in the U.S. So I highly recommend that you get a copy if you’re interested in trying your hand on creating wagashi.

Anmochi wagashi

New Ceramics by Sakai Mika and Mara Des Bois Strawberries from Chino Farm

By:
Ai Kanazawa
May 26, 2023Ceramics Food and Craft SAKAI Mika

Today, I finally finished adding many new colorful nerikomi pots by Sakai Mika in my shop that you can browse from the link here->.

Nerikomi Ceramics by Sakai Mika and Mara Des Bois Strawberries from Chino Farm

Mika’s cheerful ceramics are a perfect antidote to the gloomy weather that we have recently been experiencing here in San Diego. The locals call these spring months “May gray” and “June gloom”, and this time of the year can be quite cloudy and cool in coastal Southern California. This spring has felt especially cold to me, and I’ve been longing for the arrival of a sunny summer after having experienced an exceptionally wet winter.

But today, the sun finally made a rare appearance, so I got motivated to head out to Chino Farm, the famed local farm in Rancho Santa Fe, which is about a 20 minute drive from my house. Chino Farm was started in 1969 by Junzo Chino, who came to the U.S. from Hashigui in Wakayama prefecture, Japan, in the early 1920s. The farm was made world-famous by chef Alice Waters of Chez Panisse in Berkeley for the exceptional quality and freshness of its fruit and vegetables.

Chino Nojo Farm Stand in Rancho Santa Fe, CA

Every time I go to the Chino Nojo (which is their official name meaning farm) stand, I tell myself that I should come here more often because they grow so many varieties and make them available for us. I often discover new types of vegetables and fruits, and learn what is truly in season here in Southern California.

t Lettuces at Chino Farm

Today at the farm stand, there were many different kinds of lettuces. I bought a head of frisée, and, of course, it’s strawberry season so I got some pearly little Mara Des Bois strawberries. These fragrantly soft and delicious harbingers of summer are probably only grown by the Chinos around here. I find that their distinct aroma reminds me a little of… Japanese ramune soda.

If you are ever in San Diego, I urge you to make time to visit the legendary Chino Farm Stand in Rancho Santa Fe. Make sure to bring cash or a check, and now they also even accept Venmo!

Chino Farm Stand
6123 Calzada Del Bosque, Rancho Santa Fe, CA 92091 (Click for Google Maps)

Mara Des Bois Strawberries at Chino Farm

Traceable Cedar Chopsticks from Fukui for The Festive Table

By:
Ai Kanazawa
November 28, 2021Wood Food and Craft Style Of Japan

Cedar chopsticks by Style Of Japan in our shop->

Traceable cedar chopsticks from Fukui prefecture (plate by Kazu Oba)

I have only been to the Japanese coastal prefecture of Fukui once when I was still a university student. Having plenty of time but not much money, I remember being excited discovering a cheap pop-up soup shop in a fish market where they served isaza, the small, clear fish that turns white when they are cooked whole in miso soup and served piping hot. That spring was the last time I got to taste the delicious isaza soup because like many regional dishes in Japan, you must be at the right place at the right time to enjoy them.

Fukui is most well known for its nature and dramatic coastal scenery, a nuclear power plant, the high-quality eyeglasses of Sabae City where the titanium type was first produced, and for the chopsticks of Obama City; the kind that are coated with urushi, with patterns created from eggshells and seashells. You may faintly remember that Obama City appeared in the international news in 2008 when the then senator and later 44th U.S. President found support and connections in unexpected faraway places.

You may also wonder why I brought simple cedar chopsticks from the region famous for urushi. It is because I find coated chopsticks slippery and difficult to pick up food, and I also prefer being able to feel the texture of wood that gets obscured by coating.

“Yu” cedar chopsticks by Style Of Japan

I was therefore very excited when I discovered Style of Japan (SOJ), a Japanese company that produces chopsticks in Obama, a region where 80% of coated chopsticks in Japan are produced. The local chopsticks are known as Wakasa Nuribashi, but almost none of them are completely made in Fukui. Wood milled abroad but processed in Japan can bare the label “made in Japan” and little is disclosed about where the imported wood comes from.

“We’ve been shifting to source local wood from Fukui for our most popular product lines, mainly by incorporating wood harvested from local forests through conservational thinning and management”, said Omori Kaz, the President and CEO of SOJ. Their popular “OEDO” line of coated chopsticks use wood certified by the Programme for the Endorsement of Forest Certification (PEFC), an international organization that promotes sustainable forest management.

PEFC certified wood harvested in Fukui prefecture. Photo Courtesy of Style Of Japan

This past summer, SOJ introduced the “Yu” line of cedar chopsticks through Makuake, a Japanese crowd funding website like gofundme. The project was fully funded and the chopsticks went into production. “Yu” chopsticks are made using traceable local cedar that are PEFC certified, and they also go further by providing certificates with information such as the age and size of the tree, the region and timing they were harvested, and the woodworker and nushi, the crafts specialist who applies the coating to the wood. “We want to make chopsticks with more transparency in the process, by utilizing local wood and by providing the names of woodworkers and nushi, and also the wood source and the coating material,” Omori san explained.

For me, Yu’s design and finish are its most profound and appealing aspects. The end of a Yu chopstick is square so that it sits comfortably between the index finger and the thumb. The section held with the fingers is octagonal, providing a comfortable grip. The tip is tapered to a circle making it easy to pick up the tiniest pieces of food. They are also coated with beeswax, which I think is the best type of protective coating for any wood used around the table that retains its texture, the most exquisite and often overlooked property of wood.

Applying beeswax to chopsticks. Photo Courtesy of Style Of Japan

Omori san observed that, “as Japanese people now regularly use knives and forks [in addition to chopsticks], I believe that families that mainly use knives and forks will also start to regularly use chopsticks in the future. When that time comes, I hope that people will choose our chopsticks that are sourced responsibly and produces less carbon emissions.”

In Japan, people often use new chopsticks for their new year’s feast so I’m looking forward to opening a new pair of Yu on New Year’s Day that is just a few weeks away. And dream about Fukui’s isaza soup that I hope to taste once more when we can again travel freely. I wish you all a healthy and happy 2022!

Small Drinking Vessels and Refills: Please Let Me Pour More

By:
Ai Kanazawa
March 29, 2021Ceramics Kazu OBA Food and Craft

Ceramics by Kazu Oba in our shop ->

I get so excited to hear from people that they have been vaccinated for Covid-19. It feels truly good to be on the offensive against this virus! And as I patiently await my turn for the jab(s), which should come soon, I’m starting to look forward to sitting around the table with my friends again.

And when I sit down to have tea, coffee, even water and adult beverages, I like to use small cups and mugs. Sure, it’s always good to have less things to wash afterwards, but I like to give my guests small drinking vessels so that I can bring a pitcher or spouted bowls with refills.

Little cups allow the host to offer a fresh batch of hot coffee to the guests

Why bother, you may ask. It is because little cups allow me to offer a fresh batch of hot or cold drinks to my guests. In addition, there is something very pleasant and soothing about watching and hearing liquid being poured into vessels don’t you think? I consider it as part of the entertainment to the guests. I’m sure the Victorians could have made tea in huge mugs as well, but they too must have felt that the act of pouring adds another layer to the tea experience.

It is pleasant and soothing to watch and hear liquid (in this case matcha) being poured into vessels.

If you ever wondered why there are so many small cups in my shop, now you know the reason. And today I’ve added even more small cups and pouring vessels by Kazu Oba to my shop. As always, Kazu’s spouts are perfectly executed so that there won’t be any drips left on your table. I hope that you’ll find the perfect vessel to add a little more pouring for your next gathering in the coming post-Covid world.

Minazuki: Wishing Upon a Dessert

By:
Ai Kanazawa
June 28, 2020Glass Food and Craft SASAKI Shoko

Glass plates by Sasaki Shoko in our shop ->

Leave it to the Japanese to come up with the most appropriate names for the months of the year. June is Minazuki, which literally means “the month of water.” This is the time of year when the rice paddy fields are filled with water, and also of relentless downpours because this is prime rainy season in Japan.

With tea classes cancelled until at least autumn, my desperation for Japanese sweets has reached new heights and so I embarked on making “Minazuki,” a delicious rice cake sweet named after the month.

Minazuki dessert on a glass plate by Sasaki Shoko. The triangle shape refers to the traditional thatched ice house where natural ice was stored. Summer sweets evoke a sense of coolness.

I first tasted Minazuki when visiting the Chado Research Center in Kyoto in 2015, where the museum entry fee included a bowl of matcha tea and a seasonal sweet. I’m terrible at remembering the times when I traveled to various places, but because I was served Minazuki, I know it was in June. I later also learned that people in Kyoto eat this triangular mochi dessert topped with red beans cooked in sugar often during the month of June.

A mochi topped with azuki red beans sounds relatively simple to make, but there is that stupid perfectionist in me that whispered, “but if you’re making Minazuki, the azuki can’t come from a can, it’s got to be those big Dainagon azuki.” In addition, the whisper continued: “Add some kudzu in the mochi to make it certainly Kyoto style (from my provincial Tokyoite perspective, kudzu is a very Kyoto ingredient).

With all these wild ambitions, I cooked over two days to make the sweet.  Alas, the red beans didn’t turn out quite as I had hoped because their skins broke. Ideally, they are supposed to be intact and beautifully plump. I discovered that Azuki cooking is an art, like making the perfect Canelés de Bordeaux. Cutting this delicious sticky thing was a challenge by itself, but I persevered!

Minazuki on a petal edged dessert plate by Sasaki Shoko.

Minazuki is eaten especially in conjunction with the day of the summer passage cleansing ritual known as “Nagoshi no harae” on June 30th. The ritual is carried out with the hope of being disease-free and to ward off disaster and misfortune. And since such a wish can be made by making and eating a humble sweet, I virtually send you all Minazuki, to wish you good health for the rest of this difficult year.

New Wood-Fired Porcelain by Shumpei Yamaki for Your Summer Evenings

By:
Ai Kanazawa
June 17, 2020Ceramics Food and Craft Shumpei YAMAKI

New work by Shumpei Yamaki in our shop->

I will never forget the first time I went berry picking with my host family in British Columbia in the summer as a high school exchange student. Back then in the late 1980s, I was only familiar with strawberries, which to me was a winter fruit as they are grown in greenhouses in Japan. But that Canadian summer, there were so many different kinds of berries to pick and eat. There was plenty of time for these berry escapades as daylight stretched way past 9 o’clock in the evening. I remember that I was very happy then, and ever since, berries lift my spirits up.

Homemade blueberry ice cream in wood-fired porcelain sake cups by Shumpei Yamaki. Wood-fired porcelain has subtle and beautiful colors of gray, light green and peach.

As the weather warms and my favorite summer fruits and vegetables start appearing on the dining table, my eyes seek refuge from the heat in the cool of porcelain ceramics, woven bamboo, and hues of blue, green, and purple.

In hot weather, my eyes seek refuge in cool colored tableware

Tea master Sen no Rikyu’s Seven Precepts, which is basically a code on organizing lovely and memorable gatherings, includes this piece of advice: “In the summer, provide a sense of coolness.” For example, in summer tea preparations, a water jar may be covered in freshly washed leaf with dews remaining on top, or a tea bowl may be brought in filled with water to convey a feeling of coolness. Even in our currently stress-filled pandemic world, I have found that taking the time to select utensils and set a seasonal table for my husband and myself provided a sense of calm and place.

Featuring water creates a sense of coolness on the table.
Shumpei Yamaki’s kiln after firing in Spring 2020. As with last time, Shumpei omitted the use of pyrometric cones and thermometer to create an environment for flow state
(Photo Courtesy of Shumpei Yamaki)

And because I love the combination of Shumpei Yamaki’s clean forms in white clay, gray, green, blue, and peach colors created by the fire and ash, I specifically asked him for some porcelain work this summer, in addition to his usual stoneware work. I’m delighted to share these glacial works by Shumpei with you, and hope that you’ll take the time to look at photos of them taken at different angles so that you can discover the subtle and amazing complexities that the wood-firing process can give to a porcelain’s surface.

Kabocha in a Black Shallow Bowl By Shumpei Yamaki: Are You Eating the Skin?

By:
Ai Kanazawa
October 10, 2018Ceramics Food and Craft Shumpei YAMAKI

Ceramics by Shumpei Yamaki in our shop ->

When I was 5 years old, a guest stayed at our little apartment in Japan. In the morning, my mother served the usual breakfast of grilled salted salmon with miso soup and rice. Seeing that the guest carefully removed the skin of the salmon and left it on their plate, my young unfiltered mouth blurted out: “wah, you don’t eat the skin? It’s really tasty you know, it’s the best part…what a waste (mottainai)!”.

My mother to this day talks about this episode and how embarrassing it was for her because it was obvious that I wanted the guest to give me the salmon skin if they were not eating it. And for a long time after the incident, there was an uncomfortable glare coming from my mother whenever I sat down with guests at the dining table.

Kabocha pumpkin in a wood-fired black bowl by Shumpei Yamaki. Black is a great background for colorful fall vegetables and fruits.

Speaking of skin, the other food that I like to eat right now with skin are the kabocha pumpkins that are coming into season.

To prepare kabocha, I cut them up into generous chunks with the skin and put them in a shallow braising pan in a single layer. Then I add about ¼ -½ inch of water, drizzle a little olive oil, and sprinkle salt, cover and boil for about 10-12 minutes. The key is that there is enough water to boil and slowly reduce. After turning the stove off, all the water gets absorbed into the pumpkin leaving no liquid. I prefer this simple preparation to the normal Japanese recipe that calls for sake, sugar and soy sauce because I find that recipe too sweet.

Cooking in a braising pan with just enough water to be absorbed back into the pumpkin pieces.

The result are firm chunks of delicious pumpkin pieces that can be eaten hot or cold. And the best part is the contrast of texture between the skin and the pumpkin meat!

Whenever I’m served peeled kabocha, I say loudly in my head “mottainai“! And, you may be surprised that there are things that people eat with skin in the US that almost all Japanese don’t, such as peaches. The first time I saw my husband eat peaches with skin, I was horrified. Japanese generally like to eat fruit without skin, and I should do some research as to why this is for another blog post. In the meantime, enjoy your kabocha with skin, and maybe also your salmon skin? Otherwise, MOTTAINAI!

Kabocha pumpkin. Don’t remove the skin it’s the best part!

‘Strawberry Milk’ in a Pinched Rim Bowl by Hanako Nakazato

By:
Ai Kanazawa
August 14, 2018Ceramics Hanako NAKAZATO Food and Craft

Ceramics by Hanako Nakazato will be available  in our shop on August 15th at 6:00 am  ->

‘Strawberry milk’ in a pinched rim bowlby Hanako Nakazato
(Note: The spoon is an ordinary rounded-bottom variant and not the exotic flat bottom design)

Did you eat ‘strawberry milk’ when you were growing up? It was huge in the 70s in Japan (along with mini-skirts and permed hair), and I begged my mother to buy us the ‘strawberry spoons’ that were perfectly designed to squish the strawberries in the milk with their flat bottoms.

As a little girl, I always believed that “strawberries sprinkled with sugar and squished in milk” was a fancy western way to eat strawberries. But now that I think of it, I’ve never seen anyone eat strawberries in this way in the U.S. or Europe.

According to my parents’ generation, strawberries that first became available to the general public in Japan in the post war Showa era were extremely sour and so the Japanese concocted ‘strawberry milk’ as a way to enjoy this sour fruit.

Eyeing the massive demand for a utensil that efficiently squashed strawberries in milk, the ‘strawberry spoon’ was created in 1960 by Kobayashi Kogyo Co., a cutlery manufacturer in Niigata prefecture, and their ‘Romance’ line of cutlery received the prestigious Good Design Award in 1974. So this company joins the ranks of Japanese titans like Sony and Toyota as the pioneers of Japanese style.

Click here to look at Kobayashi Kogyo’s cutlery catalog. The said spoon is on page. 35, fifth spoon from the bottom in the photo #11617-000 at 850 yen

This marvelous invention lessoned the likelihood of strawberries slipping or flying out of the bowl across the table, which saved the day for a lot of busy Japanese parents.

And the best part is when all the squished strawberries are eaten, you get to drink the sweet strawberry milk straight from the bowl!

New work by Kazu Oba, and the Story of Myoga, the Japanese Ginger

By:
Ai Kanazawa
October 12, 2017Ceramics Kazu OBA Food and Craft

Ceramics by Kazu Oba in our shop ->

Looking back, I realize there were so many things that I disliked eating when I was a child. One of my arch enemies was myoga, the flower buds of Japanese ginger that appeared regularly at the dinner table in the summer and did not go away until October.

Myoga, Japanese ginger

Just like green onions, myoga was served as a garnish in miso soup, cold tofu, and other delicious things that, to a child’s tongue, tasted far better without this cursed topping. These terrible condiments are called yakumi, which means medicinal garnish, and my dream was to move to a world where they served food without them.

The other problem with myoga was that it was also the motif of my family’s crest. When I discovered this fact, I was so disappointed that I wasn’t born into a family with beautiful flower crests like Wisteria or Paulownia. I mean, why a lowly vegetable?

Family crest on my kimono, daki-myoga. The Japanese ginger motif.

Years have passed and now a cold tofu without yakumi would be a let-down at the dinner table. And I even rather like the fact that a hardy shade-loving Zingiber is the motif of my family’s crest.

Cold tofu served with myoga and green onions in a bowl by Kazu Oba

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